Everything Under the Sun is a large-scale, participatory garden installation by artist Keg de Souza that considers the sun as a commons — something shared, yet experienced unequally. Through collective thinking towards climate justice, the work becomes a space to reflect on how we share, protect and value what sustains us.

At the heart of the work is a large human gnomon sundial, which invites you to stand and cast your shadow to become a timekeeper. This gesture — at once ancient and intimate — evokes the passage of time, connecting the past, present and future. Around the sundial’s centre sits a ring of sculptural forms, marking time as numbers on a clockface do — these double as playful stepping stones amongst the plants.

Radiating outward is an endemic learning garden, created in collaboration with Richard McDowell and Yabini Kickett. Featuring seasonally significant native plantings as timekeepers, the garden responds to the six Noongar seasons while also tracing the ecological impacts of colonialism. The reintroduction of local species tells stories of displacement and revival — revealing the enduring legacies of empire on the land.

De Souza, an artist of Goan ancestry living on Gadigal land, draws on her background in architecture, activism and radical pedagogy to explore place. Through a series of public programs, workshops and talks during the Biennale, Everything Under the Sun will become a living commons: a welcoming, discursive space for connection, repair and imagining shared futures. This is not just about telling time, but reimagining it — through the sun, through being present, together. A work shaped by knowledge-sharing, seasonal cycles, and care for land.

This is the beginning of the garden that will remain in place for a full year, cared for by the Biennale and the City of Fremantle.

Curator: Annika Kristensen
Garden Curators: Richard McDowell, Yabini Kickett

Date and Time

13-30 Nov, 24h
*Public program to be announced

Location

princess may park

Entry

Free

Born in Perth, Keg de Souza is an artist of Goan ancestry who is a settler on unceded Gadigal land in Sydney. Architecturally trained, she creates social and spatial environments, making reference to her lived experiences of squatting and organising with projects that use plant and food politics, temporary architecture, publishing and radical pedagogy. De Souza draws from personal experiences of colonialism to inform layered projects that centre voices that are often marginalised, for learning about Place. Themes of displacement filter through her work, sharing lesser-known stories of plants, people and place.

Selected exhibitions and projects include Shipping Roots, Inverleith House, Royal Botanic Garden Edinburgh; Nganga toornung-nge dharraga Bunjil, Abbotsford Convent co-commisioned with ACCA, Melbourne; Convivial City, Open Plan Commission, South London Gallery; Common Knowledge and Learning Curves, Griffith University Art Museum, Brisbane and Artspace, Sydney; The National: New Australian Art, AGNSW; 20th Biennale of Sydney and Setouchi Triennale, Japan.

In 2024 Keg received a Gilbert Fellowship, Sydney University and a Dahl Fellowship from Eucalyptus Australia. Keg holds degrees in Environmental Design (Architecture) from the University of Western Australia; Fine Arts at the University of NSW and a PhD, Relationality in Place: Radical Pedagogy and Decolonial Space, through the Wominjeka Djeembana Research Lab, Monash Unversity.

Annika Kristensen is an experienced curator with a particular interest in commissioning new work by contemporary artists, art in the public domain, and broadening audiences for the arts. Most recently serving as Visual Arts Curator at Perth Festival (2023 and 2024), Annika was previously Senior Curator at the Australian Centre for Contemporary Art (ACCA) in Melbourne, where she worked with major international and Australian artists to commission new work and curate significant solo and group exhibitions with artists including Frances Barrett, Jeremy Deller, Haroon Mirza, Eva Rothschild and Laure Prouvost. Annika was Exhibition and Project Coordinator for the 19th Biennale of Sydney (2014) and the inaugural Nick Waterlow OAM Curatorial Fellow for the 18th Biennale of Sydney (2012). She has also held positions at Frieze Art Fair, Artangel, Film and Video Umbrella, London; and The West Australian newspaper, Perth. Annika holds an MSc In Art History, Theory and Display from the University of Edinburgh, following undergraduate studies in Arts (Communication Studies) at the University of Western Australia. Annika is currently a Board Director of Vessel Contemporary and sits on the Fremantle Biennale Advisory Panel.

Princess May Park

Adelaide St,
Fremantle

More information coming soon…

More information coming soon…

More information coming soon…